The Heart of the Park

MFA Thesis Exhibition, March 20-24, 2012

University of Iowa, Art Building West

Click on the image to view the next one.

The place-maker often speaks as witness on the scene… creating in the process a vivid sense that what happened long ago – right here, on this very spot – could be happening now.
-- Keith H. Basso

 

video

Click here to see the video projected inside the viewing room.

 



 

 

 

image

Exhibition view. Maple, birch, pine, lithographs, cyanotypes, ink drawings, compact disc players, video projection, plexiglass, peephole door viewer, curtains, 96” x 144” x 108”, 2012

After graduating from the Iowa Writer’s Workshop, the acclaimed author Flannery O’Connor resided in Iowa City, and included its City Park as a location in her first novel, Wise Blood. In this novel, Enoch Emery, a park-haunting voyeur, mirrors O’Connor’s own investigations of the site. Using Enoch as my guide, I created blueprints, maps, and a video, which reveal further discoveries of the site’s history, and present a reinterpretation of seemingly disparate layers of fact and fiction. These three pieces from my multimedia project, The Heart of the Park, work to expose, preserve, and interpret the many layers of social history, fact, and fiction within City Park.


In each of my projects, I use a set of customized interpretive devices, which integrate antique and 21st century technology. I created the video Fight or Flight with a pocket video camera inside a camera obscura, an embodied camera that represents both an early metaphor for the human eye and a 19th century symbol of voyeurism. Similarly, laser-cut wood type and cyanotype blueprints function as artifacts of my research and engage with commercial image-making technologies of the past.


While the contemporary archive claims depoliticized and anonymous reasons and methods for preservation, my hybrid practice creates a role for the subjective, idiosyncratic archivist, who suffuses factual research with myth-making. The Heart of the Park is one glimpse into an ongoing collection of interpreted sites, in which I attempt to prevent the loss of local histories, and enact the inevitable chain of reinterpretations of site.